ARTIST: Charlotte de Witte
ALBUM: Weltschmerz
LABEL: Turbo Recordings | TURBO175
GENRE: Techno
BITRATE: 320Kbps
ORIGINAL RELEASED 2015-12-11
SIZE: 76.94 MB
TOTAL TRACKS 5
- Charlotte de Witte – Damage Control (Original Mix) (07:29) 127bpm/Amin
- Charlotte de Witte – Lonesome (Original Mix) (07:52) 124bpm/Cmin
- Charlotte de Witte – Relatives Of None (Original Mix) (07:53) 126bpm/Amin
- Charlotte de Witte – Weltschmerz (Melodic Theme) (03:34) 258bpm/D♯min
- Charlotte de Witte – Weltschmerz (Original Mix) (06:43) 126bpm/A♯maj
Total Playtime: 00:33:31 min
Belgium’s ’Raving George’ dispenses of her alias on her debut ep for Turbo Recordings as Charlotte de Witte.
![image cover: Sei A - Blades Of Brasil EP [TURBO151]](https://www.electrobuzz.net/wp-content/uploads/2013/09/Sei-A-Blades-Of-Brasil-EP.jpg)
The 23 year-old Studio Brussel resident DJ has quickly made a name for herself following EPs on Bad Life and a massively successful collaboration with Oscar & The Wolf (which actually sold 15k copies in Belgium alone). Shedding her alias here, Charlotte shows she’s ready for prime-time with this expertly crafted EP of big-room techno.
Lead track ‘Weltschmerz’ sounds like an instant Berghain classic; dark, massive, trippy, and with an emotional character all too rare within the genre. The kicks are banging, the verbed out percussion is fierce, and it all moves around a haunting melodic breakdown that artfully dances on the right side of ‘progressive.’ It’s a killer track that perfectly sets the tone for the whole record.
‘Damage Control’ is a straightforward flex-a-thon, a housier rhythm that struts along confidently. The technical term is ‘floor-filler.’ ‘Lonesome’ brings the emotion back, with it’s super-tense, unresolved melodies, this is perfect for all your mega-club yearning & gurning needs. ‘Relatives of None’ is the nastiest of the bunch, and probably the most at home on Turbo, built around a screechy synth hook. Finally, ’Weltschmerz (Melodic Theme)’ provides an epic ambient outro, crystallizing the emotional tones of the EP and establishing a sense of artistic vision that ascends well beyond the pedestrian.
