Tara Brooks Artist Bio

There is a line where the dark fuses with the light, the surreal with the sublime, the graceful with the powerful; it is within this line that Tara Brooks has carved out her truly distinct sounds. Whether playing an intimate club, an underground warehouse, festival or a sunrise deep in the Burning Man Playa, Tara’s music envelopes the crowd, stirring them with deep grooves, hypnotic & trippy rhythms, acidy, soulful, techno & haunting melodies.Tara was struck by the power of the music & the loving vibe of the scene. Learning on vinyl in 2007, she shares many styles, always focused on the journey. Tara has played some of the most respected venues, including The BPM Festival (Mexico), Katerblau (Berlin) Sisyphos (Berlin), Blue Marlin (Ibiza) Acid Sundays (Ibiza), The Brooklyn Mirage (New York), Flash (DC) DNSOF (Miami), Lightning in a Bottle, Sound (Los Angeles), PublicWorks (SF) and of course a little place she calls Home, Burning Man.When not touring, you can find her locked in the studio. Rather then focusing on genre or style, Tara is sonically inspired by personal experience and connection with her environment. Always striving to translate a specific feeling or moment, Tara creates a sound that is all her own: Compelling, sophisticated, haunting and healing, piercing your heart and invigorating your soul.Whether it’s through production or playing, Tara’s continued passion for sharing her music knows no bounds. She’s a resident for Desert Hearts and Subtract Music & will be warming up for legend John Digweed, NYE at Output (NY). She’s starting 2018 off right with Rainbow Serpent Festival (AUS), then back for her 3rd year of Envision Festival (Costa Rica). With her original productions, remixes, & podcasts set for release on Kindisch, Exotic Refreshment, Deep House Amsterdam, Electronic Groove, Einmusik’s Ibiza Global Radio, & When We Dip, the future is filled with the light for Tara as she continues to do what she loves her way and always from the heart. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.